AJANTA CAVES: A PERSPECTIVE ON CONSTRUCTION METHODS AND TECHNIQUES

Akanksha Agrawal, P.Megha Naidu, Ravindra Patnayaka

Abstract: Ajanta Caves, UNESCO World Heritage Centre in India had its historic glory dating back to 2 nd Century BC to 6th Century AD has become an outstanding exemplary for Ancient Rock Cut Architecture in India. The series of Buddhist caves comprising Chaityas (Commemorative Prayer Halls) and Viharas (Private Prayer Halls with resting cells) onto the horse shoe cliff away from the chaos, amidst nature must have assured the serenity in environment and tranquility for the inhabitants then. Ajanta, exhibits its efficiency in terms of various construction methods and techniques adopted for manifestation by the then artisan, as well as richness in terms of awe inspiring ornamentation both in paintings and reliefs where in majority of the interpretations in accordance to Gandhara Art. This paper focuses mainly on discussing various construction techniques and methods adopted for extrusion of form, purpose of various spatial fragments within vicinity and reflectance of various functional attributes of potential building elements that reinforced sustainability of the vicinity both structurally and aesthetically with the support of visual analysis. Also, other essential strategies such as ornamentation throwing light on Buddhist theology and water management to ascertain the comfort factor for the then inhabitants. This paper concludes with the appraisal of the rock cut mechanisms, design strategies and approaches while promoting a scope for further research in bringing out the practical applications as well issues regarding ambient indoor lighting and ventilation. Also with an anticipation of exploring the then safety concerns along with management strategies for serene and isolated living. Ajanta with its physical setting and articulation of various functional spaces as a sustainable habitat for centuries together does have heritage footprint with an exuberant research quotient.

Keywords: Ajanta Caves, Buddhist, Rock Cut Architecture, Construction Techniques, Gandhara Art.

DOI: https://doi.org/10.15623/ijret.2016.0509035